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The Enchanted April by Elizabeth von Arnim (Paperback, 2015)

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The Enchanted April by Elizabeth von Arnim

A funny, gentle bestseller from the 1920s

Published alongside a modern version of the same story entitled Enchanted August.

WITH AN INTRODUCTION BY BRENDA BOWEN

A notice in The Times addressed to 'Those Who Appreciate Wistaria and Sunshine' advertises a 'small medieval Italian Castle to be let for the month of April'. Four very different women take up the offer: Mrs Wilkins and Mrs Arbuthnot, both fleeing unappreciative husbands; beautiful Lady Caroline, sick of being 'grabbed' by lovesick men; and the imperious, ageing Mrs Fisher. On the shores of the Mediterranean, beauty, warmth and leisure weave their spell, and nothing will ever be the same again.

About the Author

Elizabeth von Arnim was born on 31 August 1866 in Australia. She was cousin to the writer Katherine Mansfield. In 1890 she married her first husband, Count Henning August von Arnim-Schlagenthin, a Prussian aristocrat, with whom she had five children. Elizabeth and her German Garden, published anonymously in 1898, was a barely fictionalised account of Elizabeth's life and the creation of her garden at the family home of Nassenheide in Pomerania, where Hugh Walpole and E. M. Forster were tutors to her children. Its instant success was followed by many more novels, including Vera (1914) and The Enchanted April (1922), and another almost-autobiography, All the Dogs of My Life (1936). She separated from Count von Arnim in 1908, and after his death two years later she built a house in Switzerland, marrying John Francis Stanley Russell in 1916. This marriage also ended in separation in 1919 when Elizabeth moved to America, where she died on 9 February 1941, aged 74.

 

 Paperback | 304 pages

 129 x 198 x 19mm | 213g

 

 Vintage Publishing

 Vintage Classics

 London, United Kingdom

 English

 1784870463

 9781784870461

 

Condition: Like New 

A book that looks new but has been read. Cover has no visible wear. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. Very minimal wear and tear.